![]() Note that if you learned the rhythm above, the right hand is now split between the higher cluster of two notes and the lower single note. Here is the complete pattern that Bill Evans plays on the bridge to Oleo. Make sure you can feel these rhythms between the hands before you continue. ![]() ![]() Evans adds additional rhythmic material for variety, but begins another three-beat phrase in bar 5. The brackets identify the three-beat riff and you can see that it takes three full measures of 4/4 before the pattern begins again on beat one. The first eighth note in parentheses is not actually played by Evans, but is useful here to see the pattern. Use a metronome or count to keep your place in the 4/4 measure. Tap this pattern with the left and right hands. The hallmark of developed rhythmic improvisors is the ability to freely cross the estabilished bar lines and still create a musically complete phrase. Bill Evans uses a common technique here that can be understood as a repeated three-beat phrase over several bars of 4/4 time. Once you are comfortable with the sound and feel of the harmony, it’s time to move on to the… Rhythm I tend to think of the entire whole-tone scale that fits both interpretations. You could also think of this as D9 with a raised fourth and fifth. I’ve chosen to analyze the first chord as Ab9(#5) to highlight the descending nature of this pattern. Evans takes advantage of the nature of the whole-tone scale and tritone substitution to complete this cycle using a descending half-step motion. In a typical Bb rhythm changes tune, the bridge begins on D7 and continues to G7, C7, and F7 before resolving back to Bb. This week we will look at the the way Bill Evans uses harmony and rhythm to create a unique statement on the bridge of Sonny Rollins’ tune “Oleo.” (This recording is on the album Everybody Dig’s Bill Evans (1958) featuring Sam Jones on bass and Philly Joe Jones on drums). The harmony commonly follows a cycle of dominant chords, each resolving down a fifth (or up a fourth), and the tension created by this progression provides fertile ground for melodic inventions. The bridge section of the musical form known as “rhythm changes” is a perennial improvisatory playground. Garland often plays four or more measures of solid eighth-notes without rests, but when he does rest, it feels just right.My instinct is that these are the “intended” notes but the tempo does not allow for them to come out cleanly. I have placed brackets around a few notes where the connecting notes are not heard clearly and probably not played at the recorded tempo.Chord tones are often approached from above and below by chromatic neighbors. frequent use of enclosing chromatic notes.most of the solo takes place below middle C on the piano.This excerpt is taken from the beginning of Garland’s solo on the tune Oleo (a popular “Rhythm Changes” tune by Sonny Rollins). The album Relaxin’ With the Miles Davis Quintet was one of several albums the group recorded for Prestige between 19. Stylistically, he is known for his block chord style, but for this week’s transcription we will look at an example of his virtuosic 8th-note lines. Share and Play Anywhere: Headed to a jam session or choir practice? You've got your music with you, always.Red Garland was the pianist for Miles Davis’ group that became known as the First Great Quintet. Eco-Friendly: Save trees, skip the print! Plus, with digital, you can zoom, highlight, and make notes without messing up the original.Ĥ. Easy Access: Whether you're on your tablet, phone, or computer, your music is just a tap away.ģ. You can trust the notes to be on point.Ģ. Quality Assurance: You're getting the real deal, not some half-baked version. Oh, and a quick heads up on why buying licensed digital sheet music rocks:ġ. So, after you've made it yours, don't forget to swing by the admin area if you're feeling like tweaking the key to your taste. Now, if you're thinking of getting your hands on the music, here's the deal: when you make that purchase, it's gonna land in your library in the original key. This cool feature lets you mess around with the song's key, shifting it up or down by about 3 semitones from its starting point. If it's lighting up in bright white, it's your cue to give it a click. Ever wondered if you can play "Oleo" by Bill Evans in a different key? Here's the lowdown: Search for the little notes symbol chillin' at the bottom of the sheet music.
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