![]() The anti-modern pastoral is nothing new, but cottagecore differs from past iterations due to the immediacy of the internet. Activities of this sort include baking bread, gardening, knitting, crocheting, and other embodied tasks that possess the quaint charm and rustic sensibility one might associate with a secluded cottage. This trend stems from a deeper desire to escape capitalism and the digital age through the veneration of a pre-industrial way of life. On March 10, 2020, The New York Times published an article by Isabel Slone titled, “Escape Into Cottagecore, Calming Ethos for Our Febrile Moment,” examining an emerging aesthetic movement – what the internet has deemed “cottagecore.” Cottagecore can be understood as the projection of a core fantasy of escape to a cottage in the woods to live as if it were a “simpler time.” The desire to make things with one’s hands as a form of self-sufficiency-based self-care has become associated with cottagecore modes of production. Keywords : Cottagecore, craft, social media, digital media, pastoralism, romanticism With these key concepts at the helm, this paper will emphasize the ever-growing intersection between production of material culture and the digital age. These contradictions manifest through social media platforms like TikTok, whereby the most popular of these acts are documented, produced, and circulated, and consumed as content, creating a continuous social loop of escapism. The prime objective of this study is to investigate how cottagecore fits into this lineage, and to consider the implications of its digitization.īy examining activity, craft, and digital making, this research reckons with the inherent contradictions of cottagecore: its glorification of the rural idyll, the handmade, and a bucolic isolationism, as well as its coexistence with the technical, the distance from the material through the digital, and the interconnectedness of the internet. ![]() This research considers this aesthetic act of making and its inherent digital engagement through the historical lens of the pastoral, Rousseau’s eighteenth- century romanticism, and William Morris’ nineteenth-century neo-Medievalism. As such, the desire to make things with one’s hands as a form of self-sufficiency-based self-care has become associated with cottagecore modes of production. Cottagecore can be understood as the projection of the core fantasy of escape to a cottage in the woods to live as if it were a simpler time. Interestingly, this does not get copied over to the player's journal.Īfter completing the crafting journal you cannot use the note, however they can be given to inmates to increase opinion.Abstract: This paper explores the internet aesthetic “cottagecore” – its historical origins and rise in popularity during the COVID-19 pandemic, as well as its connection to craft. As they are considered contraband, if a guard sees one on the floor they will pick it up themselves, making getting to these Notes quickly crucial if the player wants them.Ĭrafting Notes are currently the only place within the game where the "INT" requirements for the recipes are shown. As crafting notes are marked by the game as contraband, it is safer to have them added to the player's journal, where they can not be confiscated by the guards.Ĭrafting Notes are also found hidden around the prison in often hard to reach or hidden areas. A button in the bottom-right allows the player to discard the note, which removes it from the player's inventory. When the item is used, a screen appears that shows the recipe for an item, which is subsequently added to the player's journal. It is occasionally sold by other inmates. Crafting Notes are an item in The Escapists.
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